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View All / Book / TFAM Collection．Exhibition Catalogue
Framing and Filling: Ko Liang-Chih Solo Exhibition

Framing and Filling: Ko Liang-Chih Solo Exhibition

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This exhibition takes its title from a classical technique found in traditional Chinese painting and calligraphy. “Framing” refers to the outlining of character forms using fine, controlled ink lines, while “Filling” reveals the subsequent process of inking within the contours. This method emphasizes both the construction of external forms and filling of internal content while embodying a co-constructed relationship between structure and meaning. By adapting this historical technique, the artist not only engages with the lineage of calligraphy practice, but also reinterprets the term “Framing” and “Filling” as a conceptual model for contemporary art-making. This model implies a dual approach: the framing of contemporary social appearances, and the critical filling-in of the vacuums, absurdities, or recursive problems within. Through this, the work constructs a language of art grounded in critique and reflection. The exhibition considers the evolving form and meaning of calligraphy in contemporary practice. It investigates how calligraphy circulates and is reactivated within everyday contexts and invites viewers to engage with “writing” as an open-ended and imaginative act.

目錄 Contents

04 館長序 Foreword from the Director
06「雙鉤廓填」創作筆記 Notes on the Creation of "Framing and Filling"
10 柯良志簡歷 Resume of Ko Liang-Chih
11「雙鉤廓填」作品 "Framing and Filling" works
12 今不同璧 No Longer Flawed, But Jade
46 鐵皮書寫計畫 Corrugated Script Project
54 Particle
58 集字聖教序 Collected Wang Characters in Sacred Teachings Preface

Sources: Taipei Fine Arts Museum

ISBN: 9786264100809
Publish: 2025-10
Publisher: Taipei Fine Arts Museum
Language: Chinese．English
Cover: Paperback
Pages: 64
Size：24 x 18 cm


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