The exhibition as a whole is founded on the underlying idea of techno-animism, evoking the constantly escalating influence of the central premises of posthumanism, including technologically generated “Second Life” entities, virtual bodies, networks of informationized economic systems generated by high-speed algorithms, and the chain of connections joining people to objects and other species, thus producing an illusion of multiple perceptions.
In a sense, the exhibition blends objects, sound and images, including static displays and live exhibition: Yin-Ju Chen, Kate Cooper, Cécile B. Evans, Sidsel Meineche Hansen, Pakui Hardware, Po-Chih Huang, Stefan Kaegi / Rimini Protokoll, Lawrence Liu, Su-Yuan Wu, Slow Geng and the M-Exo Con Production Committee will collectively interpret the new vantage points of interdisciplinary aesthetics.
目次 Contents
005 序 王俊傑——臺北市立美術館館長
006 Foreword Jun-Jieh Wang —— Director, Taipei Fine Arts Museum
專文|Essays
009 現代驅魔師 蕭淑文 —— 策展人
020 The Modern Exorcist Jo Hsiao —— Curator
036 當身體成為信息 —— 談「現代驅魔師」中的虛擬化身
游崴 —— 藝評工作者/臺灣當代文化實驗場策展人
042 When Bodies Become Information-On the Avatars in "The Modern Exorcist"
Wei Yu —— Art Critic. Curator of Taiwan Contemporary Culture Lab
050 Pakui Hardware
058 Stefan Kaegi / 里米尼紀錄劇團 Rimini Protokoll
070 Kate Cooper
078 Cécile B. Evans
086 黄博志 Po-Chih Huang
094 陳瀅如 Yin-Ju Chen
102 Sidsel Meineche Hansen
110 劉家銘 Lawrence Liu
118 驅魔師集會製作委員會 The M-Exo Con Production Committee
132 吳書原+耿寧 Shu-Yuan Wu + Slow Geng
142 藝術家簡介|Artist Profile
148 作品索引|Index of Works
149 圖片版權|Photo Credit
ISBN : 9786267144176
Publish: 2022-06
Chief Editor: Jo Hsiao
Executive Editors: Chia-min Liu
Publisher: Taipei Fine Arts Museum
Language: English
Cover: Paperback
Page: 152
Size: 19 × 24 cm
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