4 館長序∣林平
6 董事長序∣侯王淑昭
7 導論∣蔣伯欣
論文
第一部
15 時間中的檔案,「亞洲現代」歷史中的時間程序∣姜苦樂
39 嵌於白南準早期作品實驗中不明確的時間性(1959-1963)∣金嬉英
63 降入日常:1970年代東南亞批判性展覽的興起∣辛友仁
83 延遲影形力:1980年代華語語系單頻道錄像藝術的政治批判芻議∣孫松榮
103 泰國當代攝影藝術的情狀∣克萊‧維爾
133 昨天,今天,明天——文革後的新新啟蒙和現代藝術運動的前奏∣安雅蘭
第二部
157 材質的當代性:以「新漢城畫派大展」為中心的考察∣蔣伯欣
177 未來的檔案——論第三預存的概念∣許煜
193 異世界:本土、國家與非具象∣派崔克‧佛洛雷斯
207 木刻作為社群媒介——跨族越區的無名者聯盟∣黒田雷児
219 後毛澤東時代中國的市場想像∣杜柏貞
231 文件:當代中國藝術及展覽之重塑改造∣翁子健
附錄
248 作者簡歷
260 研討會議程
264 感謝誌
4 Foreword from Taipei Fine Arts Museum∣Ping LIN
6 Foreword from Spring Foundation∣Shu-Chau Wang HO
7 Overview∣Po-Shin CHIANG
Papers
Part I.
15 The Archive in Time, Temporal Processes in the History of the Asian Modern∣John CLARK
39 Indeterminate Temporality Embedded in Nam June Paik’s Early Experiments from 1959 to 1963∣Hee-Young KIM
63 Descent to the Everyday: The Emergence of Critical Exhibitions in Southeast Asia in the 1970s∣SENG Yu Jin
83 Delayed Plasticity: A Preliminary Investigation of the Political Criticism of Sinophone Single-Channel Video Art in the 1980s∣Song-Yong SING
103 The Photographic Conditions of Contemporary Thai Art∣Clare VEAL
133 Yesterday, Today and Tomorrow – The New Chinese Renaissance after the Cultural Revolution and the Prelude to the Modern Art Movement∣Julia F. ANDREWS
Part II.
157 The Contemporariness of Material: An Investigation Centered Around the “Exhibition of the École de Seoul∣Po-Shin CHIANG
177 Archives of the Future – Remarks on the Concept of Tertiary Protention∣Yuk HUI
193 Other Worlds: The Native, the National, the Non-Objective∣Patrick D. FLORES
207 Woodcut as Social Media: Inter-Communal Alliance of the Nameless∣KURODA Raiji
219 The Market as Imaginary in Post-Mao China∣Jane DEBEVOISE
231 Documents: Reshaping and Remaking Art and Exhibitions in Contemporary China∣Anthony T. K. YUNG
Appendices
248 Biographies of Authors
260 Symposium Schedule
264 Acknowledgements